Schumann

Schumann: Fantasie, Op. 17 (Cambridge Music Handbooks) by Nicholas Marston (Paperback – Oct. 30, 1992). Schumann’s Fantasie, Op. 17 is one of the finest examples of Romantic piano music. In a rounded picture of this major keyboard work, Nicholas Marston traces the fascinating history of its composition, drawing on many of Schumann’s letters to Clara Wieck and to his publisher. Examining the few surviving sketches: to whom was the work really dedicated? Was the celebrated opening movement perhaps intended as an independent composition? Schumann’s own critical writings provide vital insights into his ideas on genre and the relationship between the Fantasie and the many generic and descriptive titles which the composer gave the work before publication.